Suresh looks stunning with his looks and could have avoided yelling at high tone. Yughi Sethu delights with his hilarious tracks. Bhavana doesn’t get any footage apart from shaking legs with Ajith for couple of songs. Sameera Reddy could’ve got yet more challenging sequences as she possesses the tomboyish looks.
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Just imagine how romantic he was in ‘Kandukondain Kandukondain’ while his previous films have completely lacked such quotients. Next time, Ajith signs a film he has to turn his attention towards ‘romance’ quotients as well. The film has looses it momentum right in the first hour and has some exciting moments during next-to-last 10mins prior to interval. Saran has blatantly focused much heroisms and portraying Ajith in stylish looks alike Billa and fails to keep the audiences engrossed throughout the show. Shiva is completely discombobulated with the gestures of his stepbrothers and embarks to unravel the hidden mysteries…ĪSAL’ belongs to Ajith Kumar and it’s a sure fiesta for all his diehard fans. Meanwhile, Vicky and Sam make Sarah (Sameera Reddy –a member of France embassy and close associate of Jeevanandham & family) believe that Shiva had a natural death and yet a death certificate has to be prepared. Now, Shiva turns to be the savior in rescuing Vicky from the baddies only to get shot by his step-brothers.Īnd its rise of the phoenix as Shiva is rescued by his father’s close friend (Prabhu) and his nephew Sulochana (Bhavana). But things get worsened when their opponent (Kellie Dorjee) kidnaps Vicky to Mumbai. Sooner, it’s revealed that Shiva and Sam-Vicky are step brothers and the duo humiliates him very often.įollowed by the demise of their father, Vicky and Sam strike a deal with an illegal group that supplies weapons to terrorists. Set in the backdrops of France, Jeevanandham (Ajith Kumar), an aged entrepreneur in weapon dealing with defense groups of United States and other countries has three sons Sam (Sampath), Vicky (Ravi Krishna) and Shiva (Ajith Kumar). But, there’s nothing special you can get with ‘ASAL’ as the film turns to possess a same-old story of relationships and betrayal with few interesting moments in screenplay. As with accordance to his new credits of co-direction, screenplay and dialogues, the anticipations exceeded to greater levels.
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After keeping us waited nearly for a year after his ‘Aegan’, Ajith Kumar had overwhelmed us with the stylish promos.